Hey Good Girl
Get out while you can
I know you think you got a good man
Why, why you gotta be so blind?
Won't you open your eyes
Just a matter of time
Til you find
He's no good, girl
No good for you
You better get to gettin'
On your goodbye shoes and go
-"Good Girl", Carrie Underwood
Carrie Underwood's got a new single, and -- shock and awe -- it's about how a fella is no damn good (no good for you).
Did you feel that? Was it an earthquake? I know it seems unbelievable that Carrie would come out full guns blazing with a catchy, sing-along pop meets country jam putting the male species down for being a triflin' hounddog. (Can you sense my sarcasm?) "Good Girl" is good fun, but it's also essentially Part Two to her last uptempo pop radio single, "Cowboy Casanova", (which I also fell shamelessly for).
Let's face it -- Carrie's got a killer voice, a great look, and is the ideal country-popstar. She's strong, she's relatable, and she ain't afraid of telling you off. ("Before He Cheats", anyone?) She realizes she's got a winning formula with this. I don't blame her for following the phrase 'If it ain't broke....' "Good Girl" is the lead single from Carrie's upcoming fourth album, Blown Away, which is slated to explore darker themes -- so perhaps girlfriend is gunning for more "he's no good" gems?
PS - I want every single outfit she wears in this video. Seriously. Every single one.
--------
Ain't going back to Barton Hollow
Devil gonna follow me where'er I go
Won't do me no good
Washing in the river
Can't no preacher man save my soul
Devil gonna follow me where'er I go
Won't do me no good
Washing in the river
Can't no preacher man save my soul
-"Barton Hollow", The Civil Wars
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgdhiQ8fLmwFwmbpEaDnAK85_8F_s6Fa5_pzZtoandzb3CzgP4HHPFtF1N-BLjYzG_vQ80wZBjhgEny8SS4Bu3CKflcSrm43NMZWcX3v1ktk-B-jsDV1hFT2hzJbIAlbXoTeZp0Wo97yva/s200/civilwars.jpg)
"Barton Hollow" is gorgeous for its simplicity, a perfect mixture of harmony guitars and White & Williams voices. It's not too country for the country-phobic, but it's hardly a pop record either. It's somewhere in between, opening with an ominous acapella harmony, seguing into heavy guitar strumming. The dark, Wild West-esque feel of the duo's harmony line is the most fascinating bit of the whole record. It walks the line between comfortable and spine-tinglingly uncomfortable, grabbing all of your attention.
No comments:
Post a Comment