Monday, June 29, 2009

Rockin' Debuts [A Retrospective] (Part Cinco)

The Intro:
It's been awhile since I've done a completely arbitrary and totally opinionated (sort of) chart countdown on this blog, and with all of the potential buzzing right now by new artists with their debut singles, I figured I would take a look back at the best of the debut singles of artists in recent memory, in six painless installments (so keep an eye out). Take a look and reminisce. Part 1 is here, Part 2 is here, Part 3 is here, and Part 4 is here. Didn't realize I'd drag my feet with this as long as I have. Has it really almost been a month since the first post? Sheesh...

So...this is the post with the three artists I think most people expected to be on the list, considering they helped bring on the teen pop explosion of 1999...Can you guess my #2 and #1?

5. *NSYNC - I Want You Back (1996 in Europe/1998 in the US)
Click here to check out the (hilarious) European music video, or here for the American version.

Le sigh. Ah, my sweet youth. That's what the five boys (well...men, now) of *NSYNC equal to Mel's mind. They may have been lampooned into yester-year during their heyday of the late 90's/early 00's, but time has proved just how much of an impact these kids have had on music.

"I Want You Back", a Max Martin/Denniz Pop ditty was the little song that kicked off an epic career, selling over a million copies in the US (and yet somehow only peaking at #13 on the Hot 100 -- the first of main chart surprises for the boys -- like the fact that they only had one #1 on the Hot 100: "It's Gonna Be Me"). It was obviously from their debut album, 'NSync, which is one of the few modern day albums to have gone diamond (translation = over 10 million albums sold in the US alone!), and would lead to the frenzy that was their sophomore album, No Strings Attached, which sold over 2 million copies it is first week on the market. Nowadays, albums just don't sell this way (by a long shot) and it helps paint the picture of just how much the music industry has changed in just a few short years.

I love telling this story, so I'll tell it again: during one of my first music industry related classes in my freshman year of college, my professor used the No Strings Attached album as a sales example. He also went on to state that due to the fact that the freshman class that year was in the key age demographic of who would have been buying that album back in 2000, he was pretty sure there was at least one person in that class alone who bought that album in its first week, possibly even on the first day. I didn't really have the nerve to cop to the fact that I actually bought it THE DAY BEFORE it came out, due to a error on my local FYE's part. But...he's a pretty smart guy. Ha.

The steam behind *NSYNC began to falter after 2002 (and the release of their final studio album, Celebrity, in 2001), but all of the members have gone on to pursue other projects with varying results. JC Chasez released a solo album in 2004, Schizophrenic, which sold a paltry less than 200,000 total. While, Justin Timberlake has become a poster child for male pop&B, selling a grand total of about 18 million records worldwide between his two solo albums (Justified and FutureSex/LoveSound). *NSYNC themselves have sold about 56 million records worldwide, bringing the group's total to around 74 million records by *NSYNC and their "alumni". It's also arguable that they helped launch the careers of their many opening acts/friends: Britney Spears, P!NK, and Ryan Tedder (of OneRepublic fame) (as well as several underrated/underappreciated poptarts like Innosense and Tonya Mitchell). Also -- the back beat to this song sounds eerily familiar to V Factory's "Love Struck" slightly slowed down. Just saying.

#4. Britney Spears - ...Baby, One More Time (1998)
Check out the music video here.

Love her or hate her (say what you want about her...I crack myself up), Britney Spears knew how to keep an audience breathless, and lend her trademark breathy vocals to a perfect pop song. Case in point - Max Martin's opus "...Baby, One More Time". It's one of those songs that, even if you despise it, you have to admit -- it's kind of a modern classic. That coupled with Britney's now iconic school girls outfit and you have the makings of a new megastar.

Surprisingly, "Baby" was Brit's only #1 until recently -- 2008's "Womanizer" of her most recent disc, Circus. Even more suprising is the fact that the song was originally offered to r&B super group TLC for their comeback album, FanMail, (which featured their big hit "No Scrubs" back in 1999), but the group turned it down. In turn, the song was given to Jive Records' latest signee, the 17 year old and virtually unknown Britney Spears. The song went on to be nominated for a Grammy for Best Pop Female Vocal Performance (but it lost, along with Brit herself for Best New Artist -- losing to former co-star, Christina Aguilera).

Despite her initial "setbacks", Brit proved her staying power. Her debut album (of the same name), stayed in the Billboard 200 for two years, and she has since released five more albums, selling a grand total of around 85 million albums worldwide, and continues to perform (even admist her very public "breakdown"). While I was hardly Brit's biggest fan past this album (pretty much everything past "Oops...!" until "Toxic" left me less than impressed), "...Baby, One More Time" will forever remain in our time capsules as a glorious part of 1998 - and a supreme reason why pop made a major comeback.

#3. Backstreet Boys - We've Got It Going On (1996)
Check out the music video here.

Everyone knows I'm a ride-or-die *NSYNC girl, and back in the days of 90's teen pop -- every pre/teenage girl had to choose: *NSYNC or Backstreet Boys. My love for the former aside, BSB did hit the ground running first, and I'll admit to owning a copy of their debut album. Old rivalries do die hard, but there is just no denying the fact that while my boys are no longer recording, BSB is still grinding out album after album (even if they are now down a member), no matter its level of success. It is admitable that the two groups were a bit more alike than they were different during the time that the two were both recording/performing at the same time -- both were founded by the diabolical Lou Pearlman, both recorded a stack of hits thanks to Max Martin/Denniz Pop/Kristin Lundin, and the power Swedes in Stockholm's Cheiron Studios, both were managed by Johnny Wright, both's debut albums went diamond in the US, both remain to be "signed" to Jive Records...the comparison's are kind of exhausting.

Long before the iconic nature of "I Want It That Way" (from their sophomore album, Millenium), "We've Got It Going On" introduced BSB as a white, more urbanized version of Boyz II Men. Their music was always much more adult and R&Balladized than *NSYNC's poppier fluff fare, so it was more a matter of personal opinion as to who you liked more. Unlike their main competitor, BSB never managed to score a #1 on the US Hot 100, they did have five #1's on the Top 40 Radio Charts (three of them from their debut album).

However -- album sales numbers just don't lie, and BSB - now five albums deep with a sixth on the way -- have sold over 100 million albums worldwide, making them, arguably at least, the world's most successful "boy band". I would include member Nick Carter's solo attempt, Now or Never, but it sold a paltry 70,000 copies worldwide...seems the boys are better together than they are apart. We can also thank them for helping launch the careers of Mandy Moore, and the criminally underrated Krystal.

Sunday, June 28, 2009

Tina Parol's Got Your Money

As I mentioned last Monday, Universal Motown's answer to the void left by Ashlee Simpson's departure to acting -- Tina Parol -- is finally starting to catch some steam with her debut single "Who's Got Your Money" building up spins on Top 40 radio. I give the Ashlee comparison with a tongue-in-cheek smirk hardly a fan of Ms. Simpson-Wentz, but even I can admit that a catchy pop song is a catchy pop song (case in point: that "L.O.-L.O.-L.O.V.E." hook...ugh...brain earworm). Tina, on the other hand, has serious potential in my eyes.

The song itself sounds to me like a 2009 pop version of Blu Cantrell's "Hit 'Em Up (Oops!)" mixed with P!NK's current Funhouse kind of sound, combined with vintage The Veronicas and Skye Sweetnam. In fact, what I find so fascinating about Tina is its hard to put her in a genre box, which in itself is something very refershing. While "Money" is undeniable radio friendly pop, the rest of her repetoire that I've heard draws heavily on her more pop-rock influences. More modern day Pat Benatar than Avril Lavigne, if you catch my drift...

I've been waiting on writing a full feature on Tina until video for "Money" was released because it was the video itself that brought my awareness to this new artist. My former roommate at my orginal dorm here in NYC was/is a professional dancer, and was chosen as a background actor in Tina's video. When she came back from the shoot, she told me all about it, and we listened to the song together. Ever since, the song was spun very loud in our room via Tina's MySpace, complete with the two of us screaming "He took my heart so I took his mon-ayyyy!" at the top of our lungs with as much fierceness as possible.

The song may be kitsch to the enth degree, but considering the US doesn't have any requisite fierce solo chick (Pixie Lott, VV Brown, etc.), I definitely think she could easily fall in to that category. While Lott is the pure pop and VV is the R&B, Tina is more of the pop-rock persuasian, and cites Queen, The Police and Blondie as her main influences. You may not be able to hear it on "Money" (I don't), but even Christina Aguilera had to comprimise with the ear-hooker that is "Genie In A Bottle" back in the day...

Tina will soon be jumping on the touring train with indie/emo rock-set The Cab, and will be swinging through her hometown of NYC mid-July...I'm hoping I can score some tix to that one...Check out the video here, due to UMG's YouTube restraints (rolls eyes). I'm interested to hear what ya'll think. Also -- be sure to check out the fly chick in the the black, with the hat at the right of your screen, pointing at Tina around the :08 mark. Blink and you might miss my former roommate.

Thursday, June 25, 2009

RIP Pop Music's Legend: Michael Jackson

All posts for the rest of the weekend have been postponed til Monday. I am in complete and utter shock. On Thursday afternoon (today), 50 year old legend Michael Jackson passed away due to cardiac arrest. No matter your feelings about his decisions of late -- there is no question that Jackson's legacy is one of the most profound influences on all current music, no matter the genre. We owe so much to him. Just writing this alone is making start to shudder with supreme shock. I don't know what to think, I don't know what to say...I'm just...gone. I'm stunned. It's one of those moments that you will always remember where you were when you heard the news.

May you rest in peace, sir. You are loved, revered and sorely missed.





Wednesday, June 24, 2009

INTERVIEW: Jada

I've always been quite vocal about my love for the four girls known as Jada. This Universal Motown quartet just bubbles with poppy potential, as evidenced by their RedOne produced first single, "American Cowboy". (If you've yet to hear the song, check out their MySpace.) But underneath that pop veneer are four young women who have a harmony that you just don't stumble upon everyday.


When I first heard about Jada (above, left to right: Elle, Jacyn, Lauren & April) a few years back, I was immediately struck by the power behind those four voices. It was the same kind of shiver-inducing moment I got back in September of 2001, when I first heard the ladies of
Soluna sing. Obviously, my love for quartet harmony hasn't wavered, and Jada is the first group in a very long time that has the ability to bring back the words 'genuine talent' into the pop musician lexicon. And it's about time.

I stand by my statements that Jada is a true talent, with a distinct appeal not just for their voices, their harmony or their looks, but as the total package -- as true girls next door that young women can look up to with pride. However, I could talk all day on the subject, but only you can make a decision. So let's let their voices do the talking, shall we? Check out this live performance from last December, of the girls singing The Beatles' "Oh! Darling".



Even the most cynical of cynics has to admit, these girls are kind of the real deal. I was lucky enough to ask the four young women of Jada some questions and get to know them a little bit better. Read on about the girls fave Motown classics, working with RedOne & Akon, forming their signature sound, and recording their debut album (due for release on Universal Motown on September 22, 2009!), so you can tell the rest of the world you knew about these girls when! :) Thank you so so much to the four women of Jada, Anne and everyone who represents them for helping us set up this incredible opportunity to help spread the word! And Jada - next time you're in NYC - let a girl know so I can go rock out front row! :)

-To start: How old are you all, and where are you all from? Are you all from the Boston area?

JADA: We are all in our early 20’s and are from different areas. Lauren is from outside a town north of Philly PA, April is from Hard Hittin New Britain CT, and Elle and Jacyn are from the Boston area. The group is based in Boston, MA and we are in the heart of the city everyday for rehearsals 7 days a week at Bristol Studios! Bristol is an artist development company in Boston that put us together. [Mel's Note: Bristol is also honing the careers of Matt Mariner and Patrice Peris.] Ric and Laura Poulin own the company and are our vocal coach/producer and manager respectively;) Ric has an amazing pop/gospel method that allows singers to learn how to sing like the Mariah’s of the world! We all came in to the group at different levels vocally and Ric has taught us incredible techniques so we can be the best we can be! We love what we do so coming in to Bristol everyday is actually fun for us! We rehearse vocals, tighten up our live show, and work on choreography. We also record here and hone our song writing skills with Ric! Working on the business side of things is also very important to us so we are very hands on in all aspects of Jada from book keeping to promoting. We are involved in it all!

-Were you good students or rebels?

LAUREN: I was a really good student actually! I had glasses and cheesy bangs in school so I really looked the part of the goodie two-shoes. lol I actually liked sitting in the front of the class! I’m such a geek lol… When senior year of high school came around I might have missed some classes but I had major senioritis!!
APRIL: In school I was actually not a rebel believe it or not! Haha. I took all A.P. classes and I got pretty good grades. I was sort of a geek. I always had my hand up to answer questions lol. My junior year of high school I did miss about 35 days of school though, because I was going to NY to audition for plays, films, and dance events all the time. There was this one time I had detention in Spanish class for being late. Oops! So, I guess I was a bit of both! Now I get labeled as the rebel because of my red hair lol.
JACYN: I was a rebel in MATH haha! Actually, I was pretty well behaved. I think I had a detention in French class a few times because my teacher was detention happy (I’m not just saying that). She loved giving them out like they were candy. Let’s just say that if they were actually candy I’d have a mouth full of cavities!
ELLE: I was a really good student until the last couple years of high school because I knew that I wanted to be an artist and I convinced myself that I didn't need school anymore...lol, I was so silly!
-The four of you are a product of the incredible Bristol Vocal Studios. How did you each end up there?
LAUREN: I ended up at Bristol Studios through an audition! I was going to Emerson College at the time and was rehearsing for the Rocky Horror Picture Show (so fun!). I was leaving for the night one night and saw a flyer on one of the audition boards saying: “You Wanna Be a Popstar?” I thought to myself: “Hmm, yes I do!” lol I took the flyer off of the bulletin board (I don’t think I was supposed to do that..haha Oh well!) and went to the audition! I had a big musical theater and opera background so my pipes weren’t conditioned to sing in a more pop fashion and was really nervous about the audition (and I still had cheesy bangs lol). To my surprise I got a call back the next night and then got asked to join Jada! I freaked out! I was so happy. Meanwhile my parents didn’t even know I auditioned for the group so I had to tell them that I was going to live in Boston for the summer and be in Jada! They have been really supportive and I am grateful for that! Since my background was musical theater and opera I had to train my vocals differently for Jada. At first I seriously thought I would never be able to sing like Alicia Keys or Christina Aguilera, but once I really stuck to Ric’s program I was floored by the results I was getting. It was amazing!
JACYN: Bristol IS incredible! When Jada was first being formed, I was studying voice at Bristol with Ric. He and his wife (and co-owner of Bristol and our fabulous manager!) Laura Poulin decided to put a female vocal group together. They looked within their vocal student population and I was the first one picked to audition. I remember being SO excited about the opportunity. I never thought of being in a group. Originally my goal was to do musical theater, or to become a solo pop singer after I had gotten some training from Ric. Once the audition process for the group was complete and I was invited in, I knew it would be hard work and sacrifice, but I was ready. I knew being a performer in any capacity was definitely what I wanted to do in life. So many cool opportunities have come from being part of Jada. It is really amazing how far we’ve come over the years, and how close we (the girls) are with each other. We are together 7 days a week now for 7-8 hours at a time! We are business partners and best friends. We are also very close with Ric and Laura and joke that we are our own “entourage” when we travel. I never really imagined how it would feel to release a first radio single, make a first music video, or meet world-renowned producers and songwriters, or even go to the Grammy’s, but it is all happening and it feels incredible! Our road has been an adventure, and I wouldn’t trade it for anything—besides-we are just getting started!
ELLE: I had been taking a few different kinds of voice lessons for classical, theatre, and what my voice teachers at the time said was “Pop”. Hehe...but I really wasn't getting what I wanted from them so my Mom found Bristol Studios in the Yellow Pages and we drove down to Boston and checked it out. I immediately loved it and signed up. My mom and I drove the hour down to Boston after I got out of high school once a week so that I could take my voice lesson. My teacher at the studio told me about an audition for a girl group and then the same day as I was walking out of the studio, Ric Poulin who is now our producer, stopped me and told me that I had great presence and that I should audition for the girl group. So I did! And here I am...
APRIL: Well, it’s funny that you ask! I was actually in Boston one summer, checking out some Radio Disney shows because I was in a different girl group at the time and I wanted to scope out the competition: these girls JADA I had been hearing about. I saw them perform and I thought they were great singers, so I introduced myself and found out where they studied voice. I signed up for lessons and I traveled to Boston (from CT) by bus once a week every Saturday to take an hour-long voice lesson. After being at Bristol Studios for about 8 months I got an email from the owner (and JADA’s producer) Ric Poulin asking if I wanted to audition for JADA because they were removing one of the members. I jumped at the chance. I had a lot of catching up to do vocally (the other girls had 2 years of training on me) but I was a really experienced dancer. I made a deal that I would do choreography/dance lessons with the girls in exchange for voice lessons from them and Ric. Ric has this amazing Pop/Gospel technique of singing and after a few lessons I had already seen a huge change in my voice. Here we are 5 years later, and all four of us have come a long way in all the areas of performing and singing. It’s crazy!

[Mel's Note: For more information on Bristol Studios, check out: www.bristolstudios.com
]

-Your vocal harmony is striking -- and something that pop music in particular has been lacking for several years now. Was the harmony immediate or was it something you had to work on?

JADA: Thank you!! It was very much something that we had to work on. We all have different voices and over time we have had to learn how to listen to each other and what sounds make the best blend. It’s all about blending! Ric has some amazing techniques where he teaches the art of listening and blending! It’s kind of like a science! We aspire to be like En Vogue and BoyzIIMen who both have harmonizing down! We have picked apart some of their songs to learn how the best groups make it sound so good.
Jada in general is the product of LOTS of work! We have logged thousands of hours at this point--working not only on harmonies and vocals, but songwriting and honing performance skills as well. We still do spend quite a bit of time doing all of that! We feel people can always get better at what they do. As vocalists and musicians signed to a major label (Universal Motown!!) the stakes are really high. You have to always be on your game and when you aren't there will always be ten other people waiting in the wings to take over for you. From day one, we have had a really strong work ethic. We practice and work hard to be the best we can be and are always striving to be better!

Jada performing the USA National Anthem at Madison Square Garden for the HBO Welterweight Championship. Says Jada, "It was an amazing experience to sing at Madison Square Garden! Definitely a dream venue for us to sing at. We felt honored to get the opportunity! The crowd was going so crazy we could barely hear ourselves sing!"
-Jada is now a member of the Universal Motown family -- and you all profess to be big fans of Motown music. If you could record one classic Motown song and give it a modern spin, what would it be?
LAUREN: Wow that’s a good one. “Shop Around” by The Miracles or “Please Mr. Postman” by The Marvelettes. I love Motown classics because when I was little every night after dinner I would help my mom clean the kitchen and we would dance and sing to the oldies! My mom would tell me to “feel the music” and I didn’t understand her at the time, but every time I hear these songs now I tell her “I know what you mean!” lol. It’s one of my favorite memories with my Mama! Love you Mom!
ELLE: Love you Mama O'Keefe!! Hehe…I have to say that I love Stevie Wonder so any of his songs would be awesome to record, but I think I would have to go with “Signed, Sealed, Delivered”, because I was kind of obsessed with the movie ‘Now and Then’ when I was younger and it was one of the songs that I always sang to when it came on.
JACYN: I have to say, one of my favorite Motown classic tunes is “Midnight Train to Georgia” by Gladys Knight and the Pips. It would be a fun one to modernize. It has great melodic lines, and is very soulful and fun. I really think every female act should have some “Pips”. They add a whole other dimension to the live performance.
APRIL: I absolutely adore The Temptations, my roommate and I jam out in our living room all the time listening to them. I’d say I would love to cover “The Way You Do The Things You Do”. I love that song, and it’s got such a great feel to it. Everyone can enjoy it!
-You recently opened up for Boyz II Men. What was that like?
JADA: Amazing! Lol We actually got to meet En Vogue and open for and meet BoyzIIMen recently all in the same weekend at Showcase Live in Foxboro, MA. Both groups were so down to earth and still such amazing performers and vocalists. During the BoyzIIMen show, Wanye gave us roses during “Mama” and we all freaked out! He even sang to April’s mom over the phone and then Lauren cried lol. After the show we got to meet them and take pictures. It was overwhelming meeting and opening up for our idols all in one weekend! Both groups are true legends to us and we aspire to be just like them! You can see our photos at both shows on our myspace page.
-Your first single, "American Cowboy", is produced by the incomparable RedOne -- who has seen serious success lately with his collaborations with Lady Gaga. How did you come to RedOne? What was it like in the studio?
JADA: We love RedOne! We actually met him about 3 years ago at our lawyer’s office in NYC. We were singing a capella for our lawyer and RedOne crashed the meeting. He said he just had to find out who was singing! He really wanted to work with us, but it took awhile for our “people” to hook it up. And then a year ago at Bristol Studios he was recording with The New Kids on the Block and we were able to connect back up! (He wrote and produced NKOTB’s hit singles “Summer Time” and “Full Service” to name a few!) Funny how a few months later he was back at Bristol to record “American Cowboy” with US! It was great to be able to record at our home studio! RedOne was so fun to work with and we had a blast recording “American Cowboy” together. He is incredibly talented, and gave great direction during the whole recording process. When we would be in the booth he would stand up with his arms stretched out and sing, “You know I’m sexy!” He was hilarious! Akon also co-wrote the song and even though we didn’t get to meet him that day we had his vocals as our demo of the song! We felt he was in the room with us that day. lol.
Recently we did get to meet him when we performed with him at Boston’s KISS Concert at the Comcast Center in Mansfield MA. We hung out and talked with him in his green room and made up a “Jadakon” handshake! Lol He is a really cool guy and put on a slammin show! He was crowd surfing like crazy! Lol We also shared the stage with Black Eyed Peas, Sean Kingston, Soulja Boy, Flo Rida, Jesse McCartney, Ashley Tisdale, The Veronicas, White Tie Affair, 3OH3, and All American Rejects! It was quite a day and so much fun to perform at our home stations big summer concert! We love you KISS!! [Mel's Note: For more info on that performance, visit www.kiss108.com]
-How was the decision made to release "American Cowboy" as the first single?
JADA: We knew it was going to be our first single right after we recorded the first chorus! It was one of those magic moments where you just know! Lol There was major electricity in the air that day! We got to record it with RedOne in our home base at Bristol Studios which made it that much more special! The whole day we were singing, “I know, you know, I’m sexy” with our arms spread out dancing all over the studio! Lol After we cut the song we emailed an mp3 of it to the label and they were so excited!! It was hands down a unanimous decision that “American Cowboy” would be our single!
-You've worked with many different and esteemed producers. What was your favorite experience like in the studio?
JADA: We have to say that the last session with RedOne was one of the best! RedOne was such a pleasure to work with and it was THE session that got us our single “American Cowboy”, which was a huge accomplishment for us. We had been recording our album for two years at that point and at the time we weren’t sure if that was going to be the last session to wrap it all up. When we recorded “American Cowboy”, we knew that it was going to be the single! It was a pretty good feeling to call it a wrap after that one! The album itself is a great mix of upbeat and mid tempo songs with a couple ballads as well. Besides RedOne and Akon we have also worked with Wyclef Jean, Danja (Britney Spears, Jesse McCartney), Andrew Frampton and Wayne Wilkins (Natasha Beddingfield, David Archuletta), The Jam (Brandy), Toby Gad (Fergie, Beyonce), and Ric Poulin (Dropkick Murphy's). We feel really honored to have worked with so many accomplished producers and are really proud of our first album! Two of our songs on the album were written by yours truly! Lol We wrote our mid-tempo track “Can’t Let Go” with our producer Ric Poulin and the ballad “Is it Love” with Toby Gad. Both are love songs about boys of course!! Lol They always give great inspiration for songs…
-A few months ago, we got the chance to speak to The Insomniax, who produced the song "Kiss and Tell" for you. They had so much respect for you and sincerely stated that you will be a group to watch thanks to your strong vocals. Will that song be on the album or will it be released as a b-side?
JADA: “Kiss and Tell” is a great song! We’re still finalizing the album so there’s still a chance it can make the album but we’re sure it’ll get placed for something. It has a great beat and makes you want to dance!
-Personally, I've been aware of you girls for quite a few years now due to your online presence and your success on social networking websites like MySpace. How important do you think the online side of marketing is to commercial success?
JADA: It’s very important! Akon had a great comment about this saying something like: “The one thing you can control about your career is your success online.” That is so true! There are so many channels and ways to get your name out there as a band by using the internet! It's almost scary! You have myspace, twitter, buzznet, facebook and all the blogs and the list goes on. The internet is awesome because it’s all about social networking! It is amazing to be able to reach SO many people with the click of a button. We honestly don't know what bands did before the internet or prior to social networking sites. Thankfully we have these resources! Our favorite is myspace for the band overall. The promotional possibilities are endless! We would love for you to befriend us on all of our sites.
In April, our radio single was featured on the FOX TV show House, Episode 22 of Season 5 called House Divided! If it wasn’t for the internet and all of the social networks such as myspace and Youtube not as many people would have been able to see the clip of the show where “American Cowboy” was featured. You can see it in our news section on our myspace page! It’s amazing how fast news travels and how quickly so many people were able to see that episode!
There is one youtube video that is just a photo of us with our single “American Cowboy” playing with over 100,000 views and out of about 500 comments, most of them came from people who say they heard “American Cowboy” on House! We have gotten tons more fans from our song being played on House and the internet buzz about it! The internet has become one of the biggest if not the biggest way fans can get to know new artists and their songs!

-In your opinion, what is the biggest hurdle the music industry has to overcome?
JADA: Album sales. Bottom line. Because there are so many channels in which to hear music and get a hold of it (including unreleased songs etc.) song/album sales aren’t what they used to be. We are in a single driven market in the music industry. People don't buy albums as much as they used to. It's easier and more appealing to go on iTunes for example and buy 1 song for .99 and move on. You don't even have to wait for the album to come out, and you don't have to leave the comfort of your own home! People in the industry have told us not to base our success strictly on album sales because people just don’t buy albums like they used to.
-What's one thing about each of you that most fans wouldn't know?
LAUREN: That I know a little bit of sign language! My grandparents were both deaf on my mom’s side and she taught me some sign when I was younger. I took a few courses in school too! I’m not fluent at all, but I can get by!
ELLE: That I was born in France! Le Havre to be more specific…we lived right on the water and we moved back to the US when I was 8. I know a little bit of French, but I lost a lot of it from not speaking it for so long. Sad Elle! I can’t wait to go back and visit my old house…that’ll be very cool.
JACYN: That I am obsessed with baking! Not cooking…baking! If I have even 15 minutes to myself (which isn’t often) I love to get my hands dirty in the kitchen and play with sugar, flour, and anything I can find. Lauren is a big fan of my lemon squares, and Laura [Poulin, their manager] loves my baked crème brulee oatmeal! If I ate everything I baked I would surely be at least 350 pounds..eek!
APRIL: I almost became a ballerina, but decided I wanted to be a pop star instead! Haha. I’ve studied ballet extensively my entire life and it is probably my biggest passion above anything else. I went to a Performing Arts High School where I was a dance major, and I performed with the Russian Moscow Ballet and got pre-accepted to Julliard with a scholarship. Then I decided to take a different path. I didn’t want to turn ballet into a job, and just really enjoyed going nuts on stage. Ballet is an acquired taste I think, but everyone can enjoy a pop girl group rockin it out on stage! haha

-Is there a release date for your debut album to drop in stores and online?
JADA: Fans should expect a September 22 release. We can't wait! We hope to hop on a major tour at that point which would be unbelievable. Can anyone hook us up with Usher or Justin Timberlake?? Lol We feel we would be a great act to open up for those guys! Not to mention they are super cute;)
Our single has been released to iTunes and radio so feel free to check it out and call into your local station to request “American Cowboy”! You can also see our music video for “American Cowboy” on our myspace page! We shot it with Ray Kay (Christina Milian, The Dream) in LA and it was so much fun!! Possibly the most exhausted we have ever been, but by far the coolest experience ever! We were up at 5am and didn’t leave the set at LA hotspot LAX until 10:30pm! It was a full day of fabulous hair/make-up/wardrobe and of course slammin choreography that we had been working on for three days prior with our choreographer ninja Adrian Wiltshire. It was such a special day for us because it was our FIRST music video! We even got to have a few of our friends in the video which made it that much more special. When we saw the first cut we cried with joy! Lol Check out the video for American Cowboy at www.myspace.com/jada . Thank you Mel for the Jada love.We really appreciate it!

For more information on Jada, check out the following links, and tell them Melismatic sent ya:

MySpace - http://www.myspace.com/jada
Facebook - Jada
Official Website - JadaMusic.com
Twitter - http://www.twitter.com/jadamusic
Street Team - jadastreetninjas@yahoo.com

Monday, June 22, 2009

[WGO] Wanna take a ride on your flammable (censured)

FYI - My interview with Jada will go live this Wednesday morning. Get ready. :)

Everyone's talking about it, so I figured why not. Check out Lady Gaga's stellar performance live at the Much Music Awards (in Canada) that aired last night, with an introduction by Kim Kardashian and the Jonas Brothers...While I'm not so big on the new bob do, it makes me ridiculously giddy that Gaga continues to deliver crazy performances that make you stop and just watch. As much distaste as I had for Britney back in the day, it certainly feels eerily reminiscent.



So far on the chart score, half of the receipts are in, and as sure as the sun will rise, the Jonas Brothers' fourth album, Lines Vines and Trying Times, will be #1 on the Album Charts this week. They have already sold almost 165K, so I think the prediction of around 330K is pretty accurate. Despite the sales attention, their single "Paranoid" continues to waffle a bit at Top 40 radio, climbing three spots this week to #32 but still not being spun more than 300 times a week. Black Eyed Peas (despite a lame kerfuffle with Perez Hilton at the Much Music Awards) will predictably come in second, and have already sold over 87K. Incubus' new album, Moments & Melodies, is also expected to debut in the Top 5, however this could change.

The most added song to Top 40 radio has become Beyonce's "Halo", which I find funny, since I've been spinning that song for what feels like forever by now. Still, B has officially conquered the #1 postion with said song on the Top 40 radio format, but 3Oh!3's "Don't Trust Me" is snipping at her heels at #2, with a difference of a mere less than 10 spins per week..."Boom Boom Pow" slips to #3, and Pitbull's "I Know You Want Me (Calle Ocho)" moves up to #4. The rest of the Top 10 include: Lady Gaga "LoveGame", Shinedown "Second Chance", Miley Cyrus "The Climb", P!NK "Please Don't Leave Me", Katy Perry "Waking Up In Vegas", and Kelly Clarkson "I Do Not Hook Up".

Kristinia DeBarge starts to knock on Top 10 territory, as "Goodbye" ascends to #13, breaking the 700 spins a week barrier, continues to grow. Her Island Def Jam country sister and JoBro's tour MC, Jessie James, has a new Top 30 radio hit with "Wanted" coming in at #29. Keri Hilson also saw a big spin increase this week with "Knock You Down" landing at #15 (up from #25).

It may have been a slow starter but Jordin Sparks' "Battlefield" breaks the Top 20 at #18. The new David Guetta-influenced BEP single "I Gotta Feeling" finally catches up to its sales success on the Hot 100 to land at #19 on the Top 40 chart, just breaking the 500 spins a week barrier. While David's duet with KellyRowland, "When Love Takes Over", gave him a #1 hit in the UK, it continues its slow ascent stateside, landing at #37.

Kings of Leon have a solid edge as "Use Somebody" leaps from #51 to #42. The Pussycat Dolls, The Veronicas, Seether and Carolina Liar all stay pretty static with their bubbling under singles.

While there is still no sign of V Factory (or for that matter, Jada's "American Cowboy"), I was pleasantly surprised to see Tina Parol's single "Whos's Got Your Money" bounce up into the Top 50, landing at #49, and increasing at a rate of 30%.

Sunday, June 21, 2009

Oven Fresh: JoJo, Kristinia, Le Kid, Mariah and more...

As the summer months roll on, new singles and leaks seem to be dropping on our plates every day. Here's some tracks that are worthy of mention, be it positive or negative.

Lady Gaga "LoveGame (Chew Fu Remix)"
For the Gaga interested, a new remix has come out of the woodwork for her new US single "Love Game" dubbed 'Chew Fu' that features Marilyn Manson. While the remix fact may not peak your interest, I'm sure the Marilyn Manson bit does. I've stated before I'm kind of over "LoveGame" and am much more into "Paparazzi", and the majority of the remix doesn't do much to restart that fire. It's basically just a hyper version of the original that repeats her "hufhh" bit and cutting and pasting various parts of "Let's play a love game" over and over, combined with a creepy Manson singing the chorus. I don't know what I was expecting but it wasn't this. I think I'd more perfer Manson completely covering it. That would be interesting.
Reaction: Thumbs Down.

Drake "Houstatlantavegas" (feat. JoJo)
Everyone is hyping up Drake to be the new savior of rap music. I'll admit I haven't given him too much of a listen, mostly due to the fact that the Drake I know is best known as Jimmy Brooks on my favorite Canadian guilty pleasure: "Degrassi: The Next Generation." I effing love that show, or at least I did, when it had all the originals on. But given the firestorm of interest, plus the inclusion of JoJo on the remix, I finally decided to sit down and listen. What I don't get is this is more JoJo's show than Drake's (and as it stands right now, that's a good thing).
Reaction: Indifferent.

Lupe Fiasco "Shining Down" (feat. Matthew Santos)
As I stated above, aside from the T.I.s and the Kanye's, I'm a little underappreciative of the current rap game. However, Lupe Fiasco has been pleasantly surprising me since day one with his unique brand of hip hop that is slightly off the center of what is expected. 2007's "Superstar", which also featured Santos, was a sleeper favorite of mine, and while this followup lacks the earworm stickiness the other had, it's still very enjoyable. BUT - when Lupe breaks out the vocoded autotuned, it makes me fear for his originality.
Reaction: Thumbs Up.

Kristinia DeBarge "You Know You Wanna"
Another Kristinia track leaked recently, and so far, I'm digging everything I hear. But I've finally figured out what makes her so interesting to my ear, besides the DeBarge callback. Chica may think she will be an equal heavyweight to the big divas, but especially on this track, she is sounded a lot like JoJo. I'm not saying that's a bad thing, it's just co much so that I might almost think this might have been a JoJo demo that somehow got to Kris's hands. "Goodbye" made me start to think Kris was trying to grab my girl Paula DeAnda's style with the 80's sample set to a big bass beat...So it is now official: Kristinia DeBarge is a younger mixture of Jo and Paula D...mixed up into a new package. Here's to hoping she tries to break out more into her own...but I'll be dancing to that Bananarama callback while she does.
Reaction: Thumbs Up.

Demi Lovato "Here We Go Again"
I had big hopes for a "Jonas-free" Demi Lovato and her sophomore EP. Then I heard the first single "Here We Go Again." And no, it's nowhere near as good as the Pixie Lott song of the same name. Given - Demi's vocals and prowess are not to be denied, especially in this song. But there is absolutely NOTHING new in this song, and there is nothing to it that we haven't already heard so far this year with P!NK, Kelly Clarkson and even Ashley Tisdale. I'm still looking forward to the album, but Demi -- shake it off ands how us the real you. Please!
Reaction: Indifferent.

Le Kid "Mercy Mercy"
Yes, all the blogs are raving (seems like almost everyone on my blogroll is). I just don't get it. Maybe it's the Girls Aloud "Can't Speak French" sample, since isn't that's what making this song so addictive? It is a sample, right? Because if it isn't, GA should do some serious suing, because the two are literally indistinguishable. Anywho, I was never much for "French", it was the sole track on Tangled Up that I didn't care much for at all, and I really balked that it was chosen as a single at all. So, the fact that a new pop group is trying to use it to boost their profile when it's only been a few years is kinda lame in my eyes. That said - the song is ridiculously catchy, and I probably will have it in my head for the rest of the effing day after writing this. Hmmm...maybe some clever DJ should put together a mashup of this song with GA's original. I think I'd dig that more. Maybe.
Reaction: Indifferent.

Mariah Carey "Obsessed"
I have never hid my love for MC. Her Musicbox album was one of the first records I ever bought. Her voice has literally changed my life. But, it is becoming very apparent that her new single "Obsessed" has cut her fans right down the middle. Either you love it, or you hate it. Personally, I really wanted to love this. I really really did. But the backbeat is lame, the chorus is cliche and so Valley Girl, her vocals don't leave much to gawk at, and as several of my friends have pointed out, she gives in to the Auto-Tuned trend much too late to be considered anything but a follower. I was hoping the new album would be a big step up from the mess that was E=MC2. ::shakes head:: Mimi, what the EFF?
Reaction: Thumbs Down.

JoJo "25 to Life"
We don't know if it's a single. We don't know if it'll even end up on the mysterious new third JoJo album. But on behalf of the JoJo fandom, FINALLY! Finally, a voice we love, that doesn't give in to the trend, puts out a product that sounds like it will fit right in without forsaking her own character. The lyrics are a fairly original concept. But the best part of the entire song is the tempo changes. It switches every few seconds in the chorus in a manner of that British two-step that seemed to be everywhere in 2002 (Mis-Teeq, Craig David). Heck yes.
Reaction: Thumbs Up.

Saturday, June 20, 2009

Top 17 Songs of the Week (6/20/2009)

17. Little Boots - Hearts Collide
16. David Guetta - When Love Takes Over (feat. Kelly Rowland)
15. Black Eyed Peas - Rock That Body (down from #12)
14. Kristinia DeBarge - Goodbye (down from #6)
13. The Saturdays - Work
12. Mandy Ventrice - Hussy
11. Paradiso Girls - Patron Tequila
10. Agnes - Release Me (up from #14)
09. Robyn - Because of Boys (up from #10)
08. Ashley Tisdale - Guilty Pleasure (static)
07. Travis Garland - Dead and Gone
06. Little Boots - New In Town (down from #2)
05. JoJo - 25 To Life
04. Jessie James - Bullet
03. Tynisha Keli - Shatter'd (up from #13)
02. Pixie Lott - Here We Go Again (down from #1)

and...

01. Jordin Sparks - Battlefield

Past #1s: Ashley Tisdale "Guilty Pleasure" (1 week), Pixie Lott "Here We Go Again" (1 week).

Thursday, June 18, 2009

It's Official: Black Eyed Peas hit another milestone...

Quick Chart Lesson:

While "Boom Boom Pow" officially clenches the top of the US Hot 100 for its eleventh week, followup single "I Gotta Feeling" which unofficially features David Guetta, has offiically debuted in the #2 position, making it the Hot Shot of the Week.

One artist taking the top two positions on the Hot 100 has only happened twelve times in Billboard's entire history. The first time was back in 1956 with Elvis Presley and "Hound Dog"/"Don't Be Cruel" and "Love Me Tender" holding the top two spots. In April of 1964, The Beatles held the top 5 positions (#1-#5: Can't Buy Me Love, Twist and Shout, She Loves You, I Want To Hold Your Hand, and Please Please Me). The Bee Gees also held the two two positions in 1978 with "Night Fever" and "Stayin' Alive", both from the Saturday Night Fever soundtrack.

This feat didn't happen again until 2002 when Ashanti broke on to the scene with "Foolish" and her collabo with Fat Joe "What's Luv?". Since then, it has happened once almost every year: Nelly in 2002, Outkast in 2004, 50 Cent in 2005, Mariah Carey in 2005, Akon in 2006 and 2007, T.I. in 2008 and now BEP. This marks the first time a mixed gender group has joined this rank.

I thought this was interesting so...fyi.

Rockin' Debuts [A Retrospective] (Part Quatro)

The Intro:

It's been awhile since I've done a completely arbitrary and totally opinionated (sort of) chart countdown on this blog, and with all of the potential buzzing right now by new artists with their debut singles, I figured I would take a look back at the best of the debut singles of artists in recent memory, in six painless installments (so keep an eye out). Take a look and reminisce. We're halfway through! Part 1 is here, Part 2 is here, and Part 3 is here.

8. P!NK - There You Go (2000)
Official music video here.

Before P!NK was the rockin' pop queen she is today, she was first introduced to the
world during a time when every female singer was young, blonde and singing sugary pop. So, Ms. Alicia Moore slipped on to our radio with the catchy "There You Go", an R&B spiced little number that was produced by She'kspere and former Xscape member Kandi -- capitalizing on her strong vocals. However, as time wore on, P!NK began to drop the R&B edge (and her p!nk hair) to become the P!NK we know today.

The song rose to #7 on the US Hot 100 (she only recently gained her first #1 with "So What" last year), and P!NK -- now five albums deep -- has gone on to sell over 30 million albums worldwide, and as my friend, the Prophet, has pointed out, led to awe-struck-inducing success in Australia. It's about time her homeland truly appreciates her -- because who would have thought nine years ago that P!NK would still be around, cranking out quality pop? I suppose there was just something about her -- something you can't put your finger on -- that told you something was different about this one...

7. Christina Aguilera - "Genie In A Bottle" (1999)
Official music video here.

Not unlike P!NK, Ms. Christina Aguilera(-Bratman) was known from day one for her vocals, even if they take a slight backseat in her debut track, a true reflection of the late 90's teen pop boom, "Genie In A Bottle". While some insist her true debut was with the big Disney ballad "Reflection" off of the 'Mulan' soundtrack the year prior, it was "Genie" that gained Xtina the recognition she deserved, and helped solidify teen-pop's clutch on the country when it hit #1 for five whole weeks, and to this day, it remains to be her biggest hit.

The song was written by David Frank and Steve Kipner, the duo also behind the equally adorable "He Luvs U Not" by Dream. While Christina found the song somewhat claustriphobic due for her desire to show the world what she can really do with her big pipes, the decision to release "Genie" first had obvious merit, as are still looking forward to material from Aguilera, who has a fourth album, Light & Darkness, due for a September release. Since "Genie", Aguilera has gone on to sell over 42 million albums worldwide.

I remember exactly where I was when I first heard "Genie" on the radio, and also distinctly remember the goosebumps I felt. I've been a devoted fan ever since, no matter the criticism. Every generation has their requisite reigning vocal queens, and it's clear for the children of the 90's that Christina is ours.

6. Spice Girls - Wannabe (1996)
Official music video here.

Love them or hate them - the Spice Girls changed the game when they released 1996's "Wannabe" and helped usher back in pop music to the radiowaves of America after several years of grunge, R&B and gangster rap dominated. The song alone has sold six million copies worldwide, making it the best selling single by a female group EVER. The song went to #1 all around the world, including in my home country for four weeks (their only #1), and while it seems the Spice Girls left as quickly as they came, they are a quintessential part of pop, and remain to be a formula that most girl groups continue to aspire toward. To date, they have sold over 40 million albums and 24 million singles worldwide.

Let me tell you, back when I was in the fourth grade, this song was the ultimate of jams to sing during recess and slumber parties with your best girlfriends. "Girl Power!" was entered into the lexicon, and I distinctly remember fighting with my friends over who got to be Baby Spice when we made up dance moves to the songs (I was usually "forced" to be Scary Spice because I had curly hair. Now, she remains relevant thanks to her kicking serious ass on "Dancing With the Stars" a few years ago...so I'm proud of my sleepover history). Looking back now, whether or not they truly stood for "Girl Power" is debatable as it's much more obvious now just how fabricated they were, but a lot of good pop comes from pre-fab groups, so who am I to complain?

Complete with ridiculously innate lyrics ("If you wanna be with my lover, you gotta get with my friends"...? Is that how it really works?) and nonsensical hooks ("zig a zig ahh" much?), this one is one for the ages, and no matter how embarrassing it is when it comes on the radio and you know all the words, you still can't help but sing along at the top of your lungs. That's the power of spice for you.

Wednesday, June 17, 2009

[WGO] On Mel's Birthday...

The only really interesting album release this past week was the JoBros new record (and no, I haven't listened to it yet, but I've heard good things about it...keeping my fingers crossed). Rolling Stone has given the record a 3/5 rating...which leaves me holding my breath to see how this new "adult contemporary" slant to their power pop will do for them...How sweet of them to drop their fourth album the day before my birthday, though! Really, boys, you shouldn't have. I'm blushing...During midweek countings, they are looking at a 300K first week, and definitely take #1 next week. Is anyone surprised? That answer is no.

As for this week, the Black Eyed Peas' "The E.N.D." swept #1 out from under Dave Matthews Band, raking in more than projected with an estimated almost 310K in its first week. Boom Boom POW! Their little engine that could single, "Boom Boom Pow", retains the #1 position on the Hot 100 for an 11th week this week as well.

So remember how I was under the impression that Little Boots' amazing album Hands was set to debut in the USA this past week? Well, after several fruitless searches at what little physical record stores NYC still has, I've discovered this is a supreme misnomer, and I'm supremely irritated. I'm hearing news now that she is going to attempt a run at the US in 2010. ::hrumph::

My guys in Hollywood Undead are listed as #1 on the Viberaters list at Hits Daily Double due to their rapidfire increase in spins of their brilliant and socially concious new single "Young" at rock radio. Others on the list include Kristinia DeBarge at #6, Jessie James at #9, David Guetta at #13 and LeToya at #14.

Shinedown's crossover hit "Second Chance" is officially the most played song on Hot AC radio (and #4 on Top 40). That's a sentence I never thought I'd write. Their followup single, "Sound of Madness", is #1 at Active Rock.

In more Top 40 radio news, Lady Gaga continues to have two songs in the top 10 ("Lovegame" at #7, "Poker Face" at #9), while Katy Perry finally makes herself known with "Waking Up In Vegas" hitting #10 (and I'm sick of it already). Somehow, the catchy yet crappy 3OH!3's "Don't Trust Me" lands them at #3 and is in dangerous throwing distance of "Boom Boom Pow" (#1) and Beyonce's "Halo" (#2). Wow...is the apocalypse coming or something?

Island Def Jam's new chicks (to hold your interest while Rihanna records her next album) Kristinia DeBarge and Jessie James with "Goodbye" at #12 and "Wanted" at #31, respectively. Keri Hilson's mediocre single "Knock You Down" is doing wonders on the Hot 100, and is growing legs at a rapid rate at Top 40 radio, landing at #23. It's also #1 on the Urban format and #2 on the Rhythmic format.

The Ting Tings climb to #24 at Top 40 with "That's Not MyName", and FINALLY(!) Jordin Sparks cracks the Top 30 with "Battlefield" landing at #25 and cracking the 1000 spins a week mark. BEP's new David Guetta single "I Gotta Feeling" lands them at #27 and is gaining at a rate of almost 100%, while Guetta's single with Kelly Rowland stays put at #43 (but is gaining...slowly). Kings of Leon break the Top 50 with the brillo "Use Somebody" (a former Rock #1) at #48, and doubling in spins in one week. And, unfortunately, another week and still no sign of V Factory.

Tuesday, June 16, 2009

It's My Party, and I'll Cry If I Want To...

...Yes, my friends. Tomorrow (well, today for some of you -- June 17th) is my 22nd birthday. So as I lament my youth being stolen from me yet again, one year at a time, I decided to share with you all a playlist of songs from the illustrious year of my birth: 1987. A time of big hair, day-glo clothes, but rockin' music. You can download the mixtape here. Get it now, because it won't be available forever. Within this set, you will find:

Aerosmith - Dude Looks Like A Lady
This song is awesome for the background vocals alone.

Rick Astley - Never Gonna Give You Up
Two words: Rick Rolled!

The Bangles - Walk Like An Egyptian
Without them, we'd have no The Saturdays.

Bon Jovi - Wanted Dead or Alive
The quintessential song from Jersey's own.

Belinda Carlisle - Heaven Is A Place On Earth
This is such perfect pop that if it was covered today, it would still kick ass.

Crowded House - Don't Dream It's Over
One of the best 80's slow jams.

Def Leppard - Pour Some Sugar On Me
Everyone needs a little thinly veiled sexual reference at some point in their life.

Duran Duran - Notorious
Along with Depeche Mode, these guys are my 80's staples.

Fleetwood Mac - Everywhere
Classic Mac, and criminally underrated.

Genesis - Land of Confusion (Live)
The lyrics could not be more relevant now if they tried.

George Michael - Faith
It helps heal the wounds created by Limp Bizkit's cover atrocity.

Guns N' Roses - Welcome to the Jungle
Axel Rose wrote this about Los Angeles. I don't think he knew then just how dead on he is.

Whitney Houston - I Wanna Dance With Somebody
From Whit's glory years: an homage to what she hopefully can deliver this fall! :)

Janet Jackson - Control
Arguably my fave Janet track -- it's a crime this didn't go to #1. It was my theme song on my 18th birthday -- and today, it returns to remind me it really is time to take control.

Michael Jackson - Bad
A little taste of why MJ is the King of Pop, and always will be.

Lisa Lisa & the Cult Jam - Head to Toe
One of her lesser known hits (because it is the one that hasn't been sampled by five million different artists lately), but that doesn't make it any less enjoyable.

Madonna - Open Your Heart
Classic Madge. Need I say more?

R.E.M. - It's the End of the World As We Know It (And I Feel Fine)
Truer words probably were never spoken. Leonard Bernstein!

T'Pau - Heart and Soul
Despite being a requisite 80's one hit wonder, this song still holds up and the lead singer's vocals cannot be denied.

Tiffany- I Think We're Alone Now
Before there was Britney, there was Tiffany.

U2 - Still Haven't Found What I'm Looking For
Back when Bono hadn't full realized he is in fact Jesus' reincarnate.

It's like a trip down memory lane, right? Thoughts?

Fresh Faces: New Artists to Watch

It's always fun to keep a watchful weather-eye out for what's the next thing to break. Everyone who knows me knows I love to hear about the next big thing -- but best of all, know about it first. Here's some up and comers who have serious potential in my eyes:

The Bangbangs
Single: Hey!
Album: Untitled
Signed To: Unsigned
MySpace: www.myspace.com/thebangbangsofficialsite

Everyone knows I'm a sucker for a good girl group, and I'm gonna go ahead and throw dibs on this one. Comprised of UK chicks Elle, Lia, Shannon and Sophie, The Bangbangs take off where The Satz left off with their debut and mix in devil may care sass along with Little Boots inspired synth. But rather than give in to the girl band myth that you must all look alike and look proper, they fit in more like a more artfully fierce version of Dolly Rockers -- real girls wearing what they want, who cares the trend. My fave tracks so far are "Stop" and "Hey!"

Marina Chello
Single: Sideline
Album: What's Done is Done (due soon)
Signed To: Crazy Joint/Bad Boy (Diddy)
MySpace: www.myspace.com/marinachello

If you are on Lady Gaga overload, Marina may strike your fancy. Her laidback style and casual demeanor it markedly different in a music world of hyped-up electro hits and dance routines. Girlfriend describes herself as pop/classical -- not classical in a(n old) Charlotte Church kind of way, but in a way where the focus is more on her voice, and she draws inspiration from distinct voices like Celine Dion and Andrea Bocelli. The only way I can describe her voice is effortless -- it's not belting but it has this gorgeous X factor. She's one of those YouTube found sensations, so if you want proof of raw talent, check out this video of Marina singing Alicia Keys' "If I Ain't Got You" from two years ago...



Jessie Malakouti
Single: Trash Me (unofficial)
Album: Untitled
Signed To: Xenomania
MySpace: www.myspace.com/jessiemalakouti

If The Saturdays morphed into one Saturday, and had a music baby with Ashley Tisdale's Headstrong album and Vanessa Hudgen's "Come Back To Me" and sang a long lost Girls Aloud song, it would be something like Jessie Malakouti. Or at least, that's how I hear it. But if you have backup by the legendary Xenomania, and find yourself opening for The Saturdays themselves on their first headlining tour, you know you've got some clout. Her sound isn't too new, but I particularly "Standing Up for the Lonely". She's much more for the clubs than the radio, but she does it well.

Daisy Dares You
Single: Undecided.
Album: Untitled.
Signed To: Jive.
MySpace: www.myspace.com/daisydaresyoumusic

Young'in Brit Daisy Coburn heads up an alt-pop confection dubbed Daisy Dares You. I first heard about the DDY project (which, not unlike Little Boots, is a one-woman band) a few months back, but only got the chance to listen to the actual music a few weeks back. Imagine my chagrin upon hearing from the lovely Talia, that the ridiculously young Daisy (she's 15!) has recently inked a deal with Jive to launch full throttle in the UK this fall, and go worldwide next year. This is one that will have all the blogs buzzing -- I just know it! And you can download her "theme song", "Daisy Dares You", gratis right here.

Monday, June 15, 2009

It's Over -- Said Girl, it's Over This Time

Straight from Hits Daily Double:

AND THEN THERE WERE NONE
Virgin Megastore Closes Last Two U.S. Outlets in N.Y., L.A.
June 15, 2009

Say goodbye to Union Square and Hollywood, too.

Virgin Megastore shuttered their last two record retail locations in Union Square and Hollywood over the weekend.

In a move that inadvertently capped the week-long NARM confab in San Diego, Virgin Megastore, which had 23 locations at its peak, closed its final two U.S. outlets yesterday, including its 57k square-foot two-level New York outlet in Union Square and its location at Hollywood and Highland.

When the N.Y. store opened, most of the merchandise had already been sold, leaving two tables of CDs and DVDs, a dozen T-shirt racks and a few other scattered displays.

“Unfortunately the large retail music store is a dinosaur,” former Virgin employee Tony Beliech told the N.Y. Times. “Unfortunately, it was also a social gathering space, and that’s one thing that buying music online lacks.”

At least 2,000 independent record stores still exist around the country, according to market research firm Almighty Institute of Music Retail. Many of those indies trumpeted their recent Record Store Day at NARM, and will promote another Vinyl Saturday on June 20, featuring specially produced records by the likes of Wilco and Modest Mouse.

New York, once home to at least three large-scale music chains, now has none. Last month, Virgin shut down its other Megastore in Times Square. Fellow British chain HMV pulled out of the U.S. in 2004; Tower Records closed its 89 American stores in 2006. Trans World Entertainment, which operates FYE, has closed at least 280 of its locations over the last two years, leaving it with about 700, but none comparable in size to the Virgin Megastore.

"It’s clear that the model of the large entertainment specialist working in a large space is not going to work in the future,” said Virgin Entertainment Group N.A. chief Simon Wright.

From the industry’s peak in 2000—when some 785 million albums were sold—until the end of last year, album sales have dropped 45%, though CDs have still remained the format of choice. As recently as 2006, CDs accounted for more than 90% of album sales. Last year, that proportion dropped to 84%, and this year, it is 77%. As many as two-thirds of all album sales are made at large chains like FYE, Wal-Mart and Best Buy, according to industry estimates.

Top 17 Songs of the Week (6/15/2009)

Here's this week's shakedown. The order has been shifted quite a bit due to the fact that I didn't get the chance to listen to much music this week due to my friend coming to visit...

17. Little Boots - Stuck On Repeat (New Entry)
16. La Roux - In For the Kill (New Entry)
15. P!NK - Please Don't Leave Me (New Entry)
14. Agnes - Release Me (down from #11)
13. Tynisha Keli - Shatter'd (down from #9)
12. Black Eyed Peas - Rock That Body (New Entry)
11. Jada - American Cowboy (New Entry)
10. Robyn - Because of Boys (down from #8)
9. Lady Gaga - Paparazzi (New Entry)
8. Ashley Tisdale - Guilty Pleasure (down from #1)
7. Gloriana - Wild At Heart (up from #12)
6. Kristinia DeBarge - Goodbye (up from #13)
5. Mary J Blige - I'm The One (Feat. Drake) (New Entry)
4. Jordin Sparks - Battlefield (down from #3)
3. VV Brown - Shark In the Water (up from #10)
2. Little Boots - New In Town (static position)

and...

1. Pixie Lott - Here We Go Again (New Entry)

Past #1s: Ashley Tisdale "Guilty Pleasure" (1 week).

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